4 April - 30 June 2023
Gallery hours: Monday - Saturday 11am - 6pm

Ford Foundation Gallery 
320 E 43rd St, New York, NY 10017
Visitor info

Curated by Daisy Desrosiers

Exhibiting artists

  • Benny Andrews
  • Battery Park City Authority *
  • Reginald Dwayne Betts
  • Mark Bradford
  • Russell Craig
  • Halim Flowers
  • Henry Frank
  • For Freedoms *
  • Maria Gaspar
  • Faylita Hicks
  • Szu-Han Ho
  • James Yaya Hough
  • Titus Kaphar
  • Jesse Krimes
  • Mark Loughney
  • Marcus Manganni
  • Julie Mehretu
  • The New Press & Vox Populi *
  • Jared Owens
  • The People’s Paper Co-op *
  • Samora Pinderhughes
  • Faith Ringgold
  • Gilberto Rivera
  • Sherrill Roland
  • Paul Rucker
  • Sable Elyse Smith
  • Bayeté Ross Smith
  • jackie sumell
  • Stanley Whitney
  • The Writing on the Wall *

*Artists and contributors representing organizations:

James Yaya Hough for Battery Park City Authority; Dr. KnuckleHead and Jimmy Wu for For Freedoms; Howard Zehr and Barb Toews for The New Press & Vox Populi; Molly Costello, Kill Joy, and Nicole Marroquin for The People’s Paper Co-op; The Writing on the Wall is a collaboration between visual artist Hank Willis Thomas, activist Dr. Baz Dreisinger, and Incarceration Nations Network

Call and Response contributors:

Billy Almon
Arts for Healing and Justice Network
California Lawyers for the Arts
Campaign for the Fair Sentencing of Youth
Francisco Cantú
Designing Justice + Designing Spaces
Die Jim Crow Records
Ella Baker Center for Human Rights
Illinois Humanities Council
Asia Johnson
Los Angeles County Arts Commission
Mural Arts Philadelphia
Michelle Angela Ortiz
Marlon Peterson
Marcus Pettiford
Performing Statistics
Liza Jessie Peterson
Pulitzer Center on Crisis Reporting
Recess Art
Rehabilitation Through the Arts

No Justice Without Love brings together the transformational work of artists, activists, and allied donors who make up the Art for Justice Fund (A4J) community. The exhibition is an invitation to engage with the Fund's mission to change the narrative around mass incarceration and disrupt the criminal justice system. Inaugurated in 2017 under the unprecedented philanthropic vision of Agnes Gund, A4J launched with $100M generated from the sale of Agnes’ favorite painting, Roy Lichtenstein's Masterpiece. This spurred artists, collectors, and supporters to donate an additional $25M to the Fund, which advances policy reform, shifts public narratives on criminal justice, and promotes the leadership of formerly incarcerated people while centering art as a catalyst to propel change.

The exhibition includes work from formerly incarcerated and allied artists alongside submissions by former and current A4J grantees, who have been invited to a Call and Response to express how A4J—and the remarkable community it supports—has affected their practice. In charting the evolution of artists’ practices, No Justice Without Love also presents the ways in which artists and advocates create new aesthetics around humanity, resilience, and self-determination, while elevating themes of redemption, rehabilitation, and transformation.



Daisy Desrosiers is an interdisciplinary art historian and the current director and chief curator of Kenyon College’s Gund Gallery. Previously, she was a co-curator of the first MOCA Toronto Triennale, GTA21, and also served as the inaugural director of Artist Programs at the Lunder Institute for American Art at the Colby College Museum of Art. Earlier in her career, she was the inaugural Nicholas Fox Weber curatorial fellow with the Glucksman Museum in Cork, Ireland and a curatorial fellow at Brooklyn-based nonprofit, Art in General. This year she is also part of the Center of Curatorial Leadership (CCL) cohort of 2023. She contributed to the 2021 New Museum Triennial publication and As We Rise (Aperture, 2021). Desrosiers is currently working on a monographic publication about artist Tau Lewis with the National Gallery of Canada.

Special thanks to Jimmy Wu for inspiring the exhibition title.

Image caption: James Yaya Hough, Untitled, 2008-2016, paper, colored pencil. Courtesy of the artist and JTT NYC.